The Audio Sewing Box

Also ich weiß nicht, warum die Seminare mit Matthias Huber Audioconsulting & Training immer so entspannt sind - Kaffee? Red Bull? Oder ... ähm (gut wäre ja legal jetzt)? Jedenfalls wären entspannt noch ein oder zwei Plätze frei für das Seminar "Sound System Engineering" in der nächsten Woche. 😉 Infos unter www.audiopro.de/seminare #seminare #soundsystemengineering #audiopro #AudioProHN

PA-Tuning Workshop: Wie Du deine PA richtig einstellst https://bit.ly/3IWUoT6

Multi-day event is described as “an amazing and unique opportunity for anyone passionate about music to learn from the best in the industry"

My article "Beaming Frequency" is featured in this month's edition of Live Sound International magazine. Enjoy! https://www.merlijnvanveen.nl/en/study-hall/206-beaming-frequency#article

Spend some time listening to tracks recorded in the 70s and 80s, even further back, and they often exhibit a quality that belies the limitations of the equipment. It leaves one asking; “Has recording quality really improved in the last 50 years?”

It’s nearly a decade since the LUFS standard for loudness measurement was defined, yet many still seem confused about what it means for music production.

Lust auf gepflegte 19"-Gespräche und Kartoffelsalat?! Wir freuen uns auf euch! 😉 Eingeladen sind neben den Mitgliedern des PA-Forums ganz ausdrücklich auch alle, die nur mal so vorbeischauen wollen. Damit wir fürs Catering besser planen können, würde uns aber eine unverbindliche Anmeldung sehr helfen: https://www.audiopro.de/de/8974_DEU_AP.html #PAforum #pa-forum #pa-forumstreffen #forumstreffen #AudioProHN #audiopro #heilbronn #akg #bss #crownaudio #dbx #genelec #jbl #jblpro #jblprofessional #lexicon #ssl #solidstatelogic #soundcraft

So, what would you think this binaural application is all about? Well, it's actually quite a clever use of our 4560 binaural headset mic that MJ Audio Lab used when creating audio examples that show the difference acoustic panels make. You can listen to the audio samples here. 👇👇👇

Gain staging is the process of adjusting the gain of your audio signal to get optimal results.

The AES Forum is where our members get to interact with each other in between conferences and section meetings.

New article on the anatomy of echoes. Complete with audible demonstration. Enjoy! https://www.merlijnvanveen.nl/en/study-hall/205-the-anatomy-of-an-echo-frequency-matters

Pat Brown from SynAudCon had the privilege to participate on Signal-to-Noise Podcast with Andy Leviss and Sean Walker. Pat talks on a variety of topics including loudspeakers, measurement mics, gain structure, and more. Enjoy listening to the podcast at this link. https://www.prosoundweb.com/signal-to-noise-episode-236-pat-brown-of-synaudcon-pro-sound-testing

𝐏𝐚𝐫𝐭𝐞 𝟐: 𝐄𝐟𝐟𝐞𝐭𝐭𝐢 𝐝𝐞𝐥𝐥'𝐀𝐮𝐝𝐢𝐞𝐧𝐜𝐞 𝐬𝐮𝐥𝐥𝐚 𝐩𝐫𝐨𝐩𝐚𝐠𝐚𝐳𝐢𝐨𝐧𝐞 𝐝𝐞𝐥𝐥𝐞 𝐛𝐚𝐬𝐬𝐞 𝐟𝐫𝐞𝐪𝐮𝐞𝐧𝐳𝐞, 𝐯𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐳𝐚𝐭𝐢 𝐢𝐧 𝐂𝐫𝐨𝐬𝐬𝐋𝐢𝐭𝐞 - 𝐀𝐫𝐜𝐡𝐢 𝐯𝐬 𝐋𝐑 Facendo seguito al precedente post in cui illustro il rallentamento dei fronti d'onda di bassa frequenza ricorrendo alla funzione Single Wavelet do CrossLite, qui faccio vedere come le configurazioni centrali o in linea di aibwoofer stimolano maggiormente gli effetti dell'audience rispetto alle classiche configurazioni LR. Ricordo che il mio articolo e' di qualche anno, come le misure. Qui vengono visualizzate a titolo di esempio delle misure effettuate da Emiliano Di Marco, che fu da me chiamato a collaborare a questa campagna di misure, in due concerti dalle situazioni abbastanza simili per logistica e pubblico. A cambiare in maniera sostanziale e' la configurazione di subwoofer. Come si puo' notare, gli effetti dell'Audience sono maggiori nel caso di utilizzo di configurazioni centrali e linee. Tale comportamento e' una tendenza riscontrabile in tante altre misure condotte da me anche nello stesso luogo e con stessa tipologia di pubblico, nello stesso periodo dell'anno. CrossLite, con la funzione Single Wavelet Peak Energy, aiuta nella visualizzazione dell'energia rallentata e diffratta/diffusa dall'audience non solo nel picco del suono diretto ma anche dell'energia piu' tardiva. NB: come spiegato e mostrato negli articoli, la Temperatura di queste situazioni ordinarie da concerto all'aperto, NON HA un ruolo significativo nella trasmissione della componente di bassa frequenza che attraversa il pubblico, giungendo ad essere IRRILEVANTE anche per variazioni sogbificative di T. NB 2: gli effetti dell Audience avvengono anche a frequenze inferiori a 100 HZ. Piu' il pubblico e' numeroso e compatto piu' scendono in bassa frequenza gli effetti. https://www.prosoundtraining.com/2019/11/15/audience-effects-on-sound-wave-propagation/

New article on sound propagation through audiences. Enjoy! https://www.merlijnvanveen.nl/en/study-hall/204-sanity-check-sound-propagation-through-the-audience

There's a lot of interesting stuff in the WHO global standard for safe listening venues and events, including recommended reverb times and why you should fly your subs. https://www.who.int/publications/i/item/9789240043114

Abbey Road-Reverb-Trick

Have you been wondering which setup we used to record our last NEW VIBES session? Carl shows you why he chose which microphones 🤩🎤Get our SCT 800 here: htt...

https://phet.colorado.edu/sims/html/wave-interference/latest/wave-interference_all.html

Do you know the difference between Acoustic Treatment and Soundproofing? It's a common misconception that they are the same, but they're not! Understanding acoustics is the key to better-sounding audio! https://www.studiospares.com/news/acoustic-treatment-vs-soundproofing-understanding-the-differences #studiospares #proaudio #proaudiogear #homestudio #musicstudio #recordingstudio #acoustictreatment #soundproofing

Der Brite Colin Norfield begann 1971 als FOH – bei Grönemeyers „Das ist los“-Tour bringt er Erkenntnisse aus gut fünf Jahrzehnten Beschallung ein und erklärt, warum er auf Bus-Kompression verzichtet und Song-Snapshots nur als Startpunkt sieht.

in this article Dom Morely asks What are you using compression for? He hopes you’ll have a completely different approach to compression in about five minutes. Read on and we’ll see…

By Steve Harvey. In Part 2 of our U2 Sphere coverage, legendary FOH engineer Joe O'Herlihy shares how he prepped for the venue, recounts rehearsals, talks gear and more.

How Phil Collins Accidentally Created the Sound That Defined 1980s Music https://www.mentalfloss.com/article/503751/how-phil-collins-accidentally-created-sound-defined-1980s-music?a_aid=45648&fbclid=IwAR0zA_7RC99UVn8DavrRMS3oJ2stTKWILdXHYiQp9rDEUt-k0kPctxihh6M_aem_AY1yeVmS_6Rmdn_ybo4xeTUsVDfNk79ESK3d_-eFQXN1xOCsVrmk4-OepqhopNhkkdc

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The only good reason for uncoupled subs. When to point your subs at the wall. Time saving weapon. The only reliable shelf prediction? The only good reason for uncoupled subs. While teaching Sub School I came across an interesting fact: The only time I split my subwoofers up to cover the left and rig...

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Hans Thomann höchstselbst hat sich zwei Stunden Zeit für mich genommen und mir einmal die Gesamte Abfertigungsanlage des größten Musikhauses Europas gezeigt...

The Abbey Road Reverb Trick is up there with the Pultec Bottom End Trick or the 1176 All Buttons In Trick for super-clickable, internet friendly audio content. It’s simple, quick, and it refers to something famous in the name. However one of the commonly held elements of this trick isn’t necessa...

• Leq measurements were added for 1, 5, 15, and 60 minutes. • M-Noise replaced with a Music-Noise for the updated AES75-2023 standard. Now available for 48 and 96kHz • New windowing source allows you to rewindow any already taken measurement with a new window or explore recorded IR • Allpass and peak filters added in the filter source • Filters on inputs in measurement (A, C and 1kHz notch) • THD+N measurement • Normalized impulse response • Exponential window function added • Difference function in math source • Swipe to the right gesture to temporarily hide the source from the list • Fixes and improvements If you want to support feature development, you can do so with PayPal: https://www.paypal.com/paypalme/PavelSmokotnin iPad version: https://apps.apple.com/app/id1552933259 Desktop versions: https://opensoundmeter.com/ "The opposite of war isn't peace... It's creation!" © La Vie Boheme. Rent musical.

William Wittman is a Grammy Award-winning independent Producer/Engineer/Musician/Songwriter. In this article, William is going to explore three techniques you can use to help you create an analogue workflow in a digital production environment.

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Dubai ist nicht nur was fürs Auge, sondern in diesem Jahr vor allem nervenaufreibend – zumindest für die Nutzer von Drahtlostechnik. Denn von Ende November bis Mitte Dezember findet dort die Weltfunkkonferenz 2023 (WRC-2023) statt. Vor Ort wird unter anderem über die zukünftige Vergabe des unteren UHF-Frequenzbandes von 470-694 MHz – die sogenannten „Kulturfrequenzen“ – entschieden. Dr. Andreas Wilzeck, Leiter Frequenzpolitik und Standardisierung bei Sennheiser, wird als Vertreter des ITU-R Sektormitglieds Sennheiser selbst an der Konferenz teilnehmen. Ein Gespräch mit ihm im VPLT Magazin über Verhandlungen, die anstehenden Entscheidungen und mögliche Auswirkungen für die Kultur- und Kreativwirtschaft. Das Interview findet ihr hier: ➡ https://www.yumpu.com/de/document/read/68469523/vplt-magazin-102/18 #VPLT #VPLTMagazin #Weltfunkkonferenz #Frequenzbedarf 📷: c Sennheiser

What really goes into designing and creating a pair of AKG Reference Response studio headphones? We sat down with Dr. Sean Olive, Senior Fellow of Acoustic Research at Harman International to take a closer look at the science and industry research behind every pair of headphones. Read the full blog here to learn more: https://bddy.me/40AP28h #AKG #AKGHeadphones #StudioHeadphones

All good quality monitors are commendably flat when tested on axis in an anechoic chamber. All of that goes out of the window when that monitor is placed in an actual studio. Studios ruin monitors. We all know this but actually solving the acoustic challenges a room introduces can seem overwhelming.

#schabbach #wolfgangneumann #vintageconcertaudio #vca

Discover Midas’s journey from the beginning to where we are now!

Pat Brown, ,was asked by many for an opinion on AES75, M-Noise, and “Maximum Linear Peak SPL” .Pat therefore wanted to write an article that summarizes his thoughts around this issue.I subscribe, e…